Clicking on a title/link will take you to the page for the title, where you'll find information about the book. "Mc Phee has set the standard for the genre of creative nonfiction . by Sherry Ellis (writing exercises of masters of creative nonfiction) Contemporary Creative Nonfiction: The Art of Truth, ed.
Any purchase you make after following such a link will bring a small commission to this site (which helps support the cost of providing it). Bill Roorbach (anthology that brings together examples of all three of the main forms in the genre: the literary memoir, the personal essay, and literary journalism) Intimate Journalism: The Art and Craft of Reporting Everyday Life, ed.
"That's what's wonderful about narrative nonficton: you don't have to lie, but you can write deeply about people," but "you have to put in your time." On Frank Sinatra has a cold" (about minute 34 on): Where is the story? On "B matter," the necessary information that can't come too soon or too late in a story. 300 Little Words: How to Write Narrative Short and Good (Roy Peter Clark's talk, which starts at about minute 9 or 10) What It Takes: Getting Stories Told in the New World of Narrative Nonfiction (panelists Ken Auletta, Jill Abramson, Hampton Sides, Amanda Urban, and John Stauffer discuss what it takes to be a long-form narrative nonfiction writer in todays fast-evolving technological world) Clearing Space for the Agenda: Setting Narrative in Digital Journalism (Dean Sparkman) Jill Abramson: The Power of Narrative The Moth & Friends: The Rise of Stories Out Loud (Jay Allison, independent broadcast journalist, curator and producer of The Moth Radio Hour) Beyond the "Like" Button: Digitally Addictive Storytelling and the Brain (Amy OLeary, a news editor and multimedia producer for The New York Times) Reaching New Audiences with Digital Devices (Jill Abramson, Managing Editor for the New York Times) The Power of Narrative: The Rebirth of Storytelling (about storytelling in all kinds of media, on all kinds of platforms--held at Boston University).
Cousin of the now-suspended Nieman Narrative Nonfiction conference. Here's one participant's reports: 10 Highlights from #BUNarrative (Susan Johnston, The Urban Muse, 4-10-13).
On Nieman Storyboard, Andrea Pitzer presents excerpts from presentations at the BIO (biographers) conference 2011 by Anne Conover Heller (author of Ayn Rand and the World She Made), John Aloysius Farrell (author of Clarence Darrow: Attorney for the Damned), and Jane Leavy (author of biographies of Sandy Koufax and Mickey Mantle).
The final quote sent me (clearly square) to Wikipedia.
Andrea Pitzer, for Nieman Storyboard, reporting on the Mayborn Conference. 4 is] a well-wrought road map to navigating the twists and turns, thrills and pitfalls, and joys and sorrows of the writer's journey." ―Donna Marie Smith, Library Journal The Art of Fact: A Historical Anthology of Literary Journalism , ed.
(Andrea Pitzer, Nieman Storyboard, 2-22-10) Creative Nonfiction Writers Conference (this link changes often--just google the name of the conference, if this one doesn't work) Learning to Listen (Gina Kolata interviews Rita Charon on narrative medicine program at Columbia, NY Times, 12-29-09) See also Writers conferences, workshops, and other learning places (a separate page on Writers and Editors) You can find further recorded talks from many of these conferences by doing an online search using the names of the conferences. Early on she talks about Frank Sinatra Has a Cold" being the best profile piece ever, because of Talese's reporting.
Nieman Narrative Conference Three threats to narrative journalism that New York Times editor Bill Killer is not buying (Beth Macy, 4-27-10, reporting on Keller's talk at Nieman Narrative conference) Tips from Nieman Narrative: What Works for Readers, Editors & Sources (Bill Kirtz, Poynter) Nieman Narrations: Tips and Tales from Top Storytellers (Bill Kirtz, Poynter, 3-17-08) Tips and Tales from Some of the Best in the Business (Bll Kirtz on Nieman 2006, 11-20-06, updated 3-3-11) Mayborn Literary Nonfiction Conference(Grapevine, Texas, July) As experienced by Sam Eifling and described in I Heard It While in Grapevine (Columbia Journalism Review, 7-28-09) Mark Bowden on the value of beginners mind. Again, the importance of outlines (Talese's is shown) and the building of tension in the story, collecting fly-on-the-wall details ("Harlan Ellison's boots") by tracking down Harlan Ellison the next day and questioning him about the fight scene.
Patsy Sims The Making of a Story: A Norton Guide to Creative Writing, ed.
Alice La Plante (how writers create -- for serious writing students and teachers) The New New Journalism: Conversations with America's Best Nonfiction Writers on Their Craft by Robert Boynton Reality Radio: Telling True Stories in Sound, ed. (Read online Listen (Jay Alison, Afterword to the book).